Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Imagine a prison with bars but no guards…a prison where inmates hold the keys. This Brazilian prison accommodates some of the most notorious inmates; yet peace and good order now prevail. The film, shot by two of the inmates, examines the day-to-day running of the prison and explores the personal development of two prisoners— with respective sentences of 70 and 114 years—who hold substantial responsibility for the harmony and security of the prison.

Long Road Back seeks to reduce the fear and stigma experienced by those re-entering society after serving a term in prison.

In the summer of 1974, 17-year old Anita Keagy discovered that she was pregnant by her boyfriend. Having grown up in a loving but strict Christian home, Anita feared the disgrace it would bring on her family and considered abortion.

This powerful documentary profiles the life and work of Mother Antonia (Mary Clark), an American nun who chooses to live among the prisoners in La Mesa Penitentiary in Tijuana, Mexico.

This powerful documentary profiles the life and work of Mother Antonia (Mary Clark), an American nun who chooses to live among the prisoners in La Mesa Penitentiary in Tijuana, Mexico.

Killing Time is a true story of human resilience and how one man survived a horrific nightmare. His survival defied all the odds. For how does a man cope when he is consumed with a terrible legacy of hatred and bitterness? His own consuming anger threatened to destroy a human part of him that prison life had somehow failed to obliterate.

A delightful and kaleidoscopic presentation of the great composer's music with dramatic biographical sketches from Bach's life.

Joseph: Carpenter of Steel offers a look at the foster-father of Jesus. Joseph's unwavering trust in God, his obedience in the face of ridicule and disruption gives us a unique example of biblical manhood. As carpenter, guardian, and parent, Joseph was, above all, faithful.

For centuries Christians have been declaring that Jesus is the Son of God. It’s a bold statement—and one that bears questioning. When did all this begin? How could men and women, who believed in one God, think that God had a Son? What does ‘Son of God’ actually mean? Did Jesus himself have anything to say on the matter? Filmed in Turkey and the UK, our host asks questions and presents answers to these searching questions. Jesus, Son of God? sets out on a journey to discover when, where and how this vital Christian belief originated.

Our host travels to Jerusalem to see the places where Jesus himself would have walked. He sifts through the evidence of Jesus' life, death and resurrection and unpacks the reason that Jesus is called the "Lamb of God."

This intriguing investigation with everyday people and leading Bible scholars reveals some refreshing and often startling answers. Here is an intelligent, provocative portrait that will stir your heart and mind. This powerful film contains answers that may change your life or the life of a friend or relative who really wants to know who Jesus is.

Wright's acclaimed scholarship is delivered in a winsome and understandable way, showing how Jesus is the fulfillment of Israel's ancient hopes and humanity's deepest dreams. You will see Jesus as you have never seen him before in the context of his Jewish and Roman world. You will find explosive new meaning in his familiar words and deeds as Wright unfolds his incomparable life and shows how it remains an unavoidable summons to our world and way of thinking.

Featured is Picturing Mary which is the second of a two part series called "Jesus and Mary in Art"

Featured is The Face: Jesus in Art which is the first of a two part series called "Jesus and Mary in Art"